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Sunday, September 21, 2008

Sa-Ro-Ja



SAROJA impresses the viewer from first frame to the last frame.
5 minutes into the movie and one gets to notice that the presentation is chic and contemporary and the aesthetics used to convey the ticking away of time itself serves as a constant reminder of the rich visuals to follow.
There have been many films in this genre where the length of the movie is roughly equal to the length of the main plot of the storyline.
Saroja's main USP that sets it apart from all other films in this genre is the exquisite interlacing of situational humour at unimaginably frequent intervals.
The film has a very simple storyline of the coming together of a kidnapping coup that slowly falls apart due to the acts of a bumbling set of four friends who lose their way in an attempt to reach Hyderabad to watch a cricket game live the following day, after they decide to take an unknown diversion from the main highway which is completely jammed due to a very damaging accident. (An eighteen wheeler carrying sulphuric acid topples over).
While Prakash Raj, Jayaram and Sampath essay their characters with professional ease, the four friends comprising SP Charan, Premgi Amaren, Shiva (Radio Mirchi Fame) and Vaibhav (upcoming Tollywood hero) prove to be an amazing combination of situational humourists.
Each of the four gets their fair share in providing the perfect comic relief to an otherwise tense story narration. But it is Premgi Amaren who amazes everyone with his unique style of comedy.
He has mastered the art of reeling off of a famous punchline of a hit film in the most inappropriate situation in this film that he has you in splits.
The main punchline parodied by him throughout the movie is
  • Evvalavo Pannitom...Idha Pannamaatoma (quoting Vijay from Azhagiya Tamizh Magan)....

However he draws more applause when he uses two punchlines from Sivaji

  • When the other three stop to pick up Premji who has a very bad fall in a desparate attempt to escape in a goods train, he responds with the punchline "cool" when the others approach near him to check if he is ok.
  • The one which takes the cake is when the others cry hoarse in reprimanding him for saving the kidnapped girl and bringing her along since they feel that they themselves are in a pitiable position.....Premji uses the same Rajni intonation of the Sivaji courtscene and exclaims "I was cornered. I was helpless" which draws a huge applause from the audience.

Music is definitely a plus point of the film. But I guess Music will definitely be good if the music director is inspired by such a young and energetic team wanting to make a difference to the way wholesome entertainers are conceived and presented.

Yuvan even appears in the video of the first song 'Cheeky Cheeky' and has shed a lot of his shyness compared to his first appearance for a song in Punnagai Poovae a few years ago.

His BGMs lend very good support to the story narration. BGM is at the heart of comedy in this film as yesteryear BGMs are reused at perfect places to induce laughter. A classic example being the introduction of the Volkswagen Caravan with the famous music of Karakattakaran Perichambazham scene.

In his only second film, Venkat Prabhu has shown variety in all departments of movie making that you certainly want to put him in the big league of directors of Tamil Cinema. He certainly deserves the title credits "A Venkat Prabhu Movie"

Venkat Prabhu's sharp intellect is showcased by some interesting facets of movie making.

  1. A needless scene showing the actual toppling of the lorry is avoided. (saving the budget for better utilization)
  2. Keeping a lingering connection to the super duper Chennai 600028 on two counts > A slender connection to the game of cricket is maintained. > All the key characters of Chennai 600028 make a cameo appearance in the highway scene (The best one being that of 'Subramaniyapuram Jai'. The subtle nature of humour in his part is too good to mention in this review and has to be seen to be enjoyed along with the surprise element built into it).
  3. The picturization of the road song, Dost Bada Dost, is very pleasing to the eye. Almost a powerpoint presentation feel is given to the way scenes flow. The Volkswagen caravan is used as the axis point of the next frame from which the the entire frame zooms out giving it a novel appeal.
  4. The last scene could have very well been at the venue of the cricket match where the four friends watch the match in some VIP box together with Prakash Raj and his family.....Instead Venkat chooses to end the movie with a humourous note of showing the Telugu veteran comedian (i forgot his name) losing his way by following the four heroes and ending up in Kerala instead of Hyderabad.

In my opinion it is a brilliant decision not to show even one frame involving the game of cricket although the interest in seeing the game live is the main starting point of the story narration. This ensures that there are no comparisons of this movie with Chennai 600028.

Actually one leading daily has played spoilsport in revealing the hidden aspect of a key actor's role by interviewing him on the very element of surprise built into his role. But the movie will hardly be affected by that exposure since there are so many aspects of the script that act as its positive elements.

On the whole it is a fabulous movie that entertains the viewer from start to finish.

My verdict: 10 on 10

Wednesday, July 23, 2008

The Dark Knight




If you have seen the ad of Fosters Lager Beer then you will understand exactly what I mean by "Heath Ledger: Australian for Villainy"

In a strange way this one line probably sums up the film itself as you need no other reason to watch this film.

It is a mind boggling performance by him as "The Joker" and although our hero Bruce Wayne/Batman (Christian Bale) is damn good in all aspects, the villain simply steals almost the entire film from the hero.

It is a sad fact that Ledger got so much into the skin of the psycho character that he needed anti depressants an overdose of which (coupled with sleeping pills) ended up taking his life before the movie's release.But when you see the movie you will realize that Ledger died long time ago,it was Joker who left recently.....This is the extent to which Ledger has Immortalized the character of the Joker.

The best part of the movie is that there is no blood shed or gory violence that is relied upon by the villain to send several chills down your spine.

The technical brilliance of this movie is also the next best reason to watch it and also since this is the first in an action genre to be shot in an IMAX camera and hence watching it in an IMAX screen is sure to blow you away from your seats.....

The Supporting perfromances of Morgan Freeman, Gary Oldman and Michael Caine add tremendous value to the movie.Maggie Gyllenhaal was however the weakest link....but then no movie can be perfect [;D].

The climax has a nice twist and a superb link to the title of Dark Knight by way of the sacrifice Batman makes to sullify his name to protect that of the District Attorney Harvey Dent(who for most part of the story plays the white knight and the future hope of justice for the city of Gotham and in the end becomes the villainous Two Face brainwashed by The Joker played by Aaron Eckhart)....

Ironically , in a freak turn of events, the White Knight is the only character in the entire movie killed by Batman whose sense of justice is so high that it prevails upon his most furious moments to make him stop a whisker short of killing The Joker for all his inculpable acts.

The concept of villainy is very different as the Psycho's only aim is to keep Batman constantly challenged without any fiscal or political gains.

I typically shy away from English films as I personally find it difficult to follow and enjoy as much as I am able to with our simple film formats :-) but this film was different and a very exciting roller coaster experience.

Monday, July 21, 2008

Sakkarakatti audio review!!!! Cho Chweet!!!!


Well SK (Sakkarakatti) was one of the awaited movies of 2008 because ARR marks his return to Kollywood after Sivaji in June 2007.....Many people were surprised with the fact that ARR agreed to score music for this film considering the fact that it isnt a big scale production....but reports say that ARR was blown away by the script.....Well we can only wait and see for the movie's analysis but the songs have made a major impression already....

The director had asked ARR to re record 5 of his Hindi compositions in tamil due to his busy schedule, but the maestro has given 4 fresh tracks and the other 2 are improved versions of his hindi tracks from the movie Meenaxi.....I'll start my review with those two songs...

1)Chinnamma.....
Well this song was one of my favourites in hindi and it sounds even better in tamil......the vocals are the main forte.....Benny and Chinmayee impress everyone with their vocal versatility.....Very catchy chorus with brilliant beats and an appropriate bass track......this song leaves most listeners spell bound.... RATING:9.1/10

2)Naan Epodhu.....
I personally feel that the lyrics suit the hindi version better though Reena Bharadwaj has sung this version as well in the same beautiful manner.....But all those who have not listened to "Yeh Rishta' will love this track....Gr8 melody.....the natural instruments and the percussions add splendid feel to the song...... RATING:9.0/10

3)I Miss you da.....
Very commercial track i guess based on the needs of the movie......very unique and different...most people dont like this song because their unable to understand the melody....but special mention to Chinmayee...never knew she could sing in such a sexy voice.....This is one of those ARR tracks that will grow onto you.....and the song's value will be enhanced by the video hopefully.....I wont consider this song as a Rahman Masterpiece but brilliant experimentation... RATING:7.8/10


4) Maarudhaani.....
The song start has a very electronic and commercial feel like any Yuvan or HJ song but when Madhushree starts singing the song, u will realise the beauty of this tune's melody......Her voice is like the nectar of life...damn sweet....the chorus has got a gr8 feel.....AN ABSOLUTELY MIND BLOWING PIANO INTERLUDE by ARR....dont miss it....one of his longest pieces in cinema i guess.....Then he hums a mesmerizing bit at the end of both the auxiliary stanza's..incidentally ARR has sung only this little bit in the entire music album.....the only drawback of this track is the monotonous electronic beats throughout but nonetheless a great song.....
RATING:8.5/10

5)Elay....
My favourite track in this album.....another feather in ARR's Roobaroo genre cap.....excellent Strumming......brilliant Bass track.....mind blowing vocals and harmonies....and a blend of violin pieces inspired by track 'Toss the feathers' by The Corrs......not to forget trademark ARR's tune,feel and chord shifts......Adding all we get an amazing song......Very catchy and high recall value......Naresh Iyer is gr8 as usual but Rahman proves that with his expertise even an average over-hyped singer like Krishh can sound decent in an audio track....Great work ARR...
RATING:9.4/10

6)Taxi Taxi....
Every ARR album has one track that become an instant super hit as soon as it hits the market.....Thats Taxi for you....Rahman uses the simple hip hop Gasolina beat and fuses Blaaze's trendy punjabi inspired rap and his own genre of music.....what we hear is an amazing track....brilliant vocals ....though there are many people singing this track....Blaaze rocks....The first interlude is really wonderful to hear....the Girl muttering stuff in a foreign language plays a perfect foil to the track....The lyrics of this song are really youthful and Urbane...the mama mama but sounds like an improved Crazy Frog [;)]......this song will rock every audio system t=in town for a while...theres no doubt....Just get onto ARR's taxi.....
RATING:9.5/10

Overall Verdict:
  • Once again ARR comes up with a great album
  • Taxi and Elay are the highlights
  • Definitely worth a buy
  • RATING:9.0/10

Saturday, July 12, 2008

Kuselan Audio review


Well its been nearly a week since the songs of the much anticipated Kuselan had arrived.....
The music of Superstar Rajnikanth's every film plays a very crucial role in determining the extent of success.......Usually Rajni's films have seasoned music directors who can handle the biggest stage a movie can offer in India.....so i must say that the rather inexperienced,young but talented G.V Prakash does a very decent job. He seems to show sudden similarity in terms of quality like his uncle ARR but only in certain small sections.....on the right track but a long way to go........ needs to improve his consistency.....

1) Cinema Cinema
Not the usual intro song for Rajni....no folkish element.....but interesting chorus pattern and this track will kinda grow on you......sounds a bit like balleillakka in certain portions......the trumpet piece sounds a bit like the Batman theme.......Shankar Mahadevan has sung this track with enormous speed,clarity and enthusiasm.....decent song but might work wonders based on the video featuring Superstar..... RATING:6.5/10

2) Chaara
My favorite track......in fact one of the best songs of GVP till date........very very catchy....the initial arrangements involving the sound of rain, with drop-like notes and the digital frog croaking seems to be very fresh......Shreya Goshal wat can i say......she seems to be improving with every song she sings...her tamil pronunciation has become almost perfect.....The Bass track of this song is fabulous......The orchestra string and Flute interlude are superb.....The tune is gr8 as well......GVP makes use of the children choir excellently just like ARR!!
....... RATING:9/10

3) Om Zaarare
This track had a lot of hype because Daler Mehndi was involved in it......The intro of the song is nice and it has a catchy chorus but i felt that that song was too long......plus there was no need to have Chitra sing this track as well..... the masses will like this song a lot.....i'm waiting for this track's video which promises to be a visual treat filled with grandeur and pomp...The lyrics of this song would make a big impression on all hard core Rajni fans....Kudos to Daler who gives extreme power to the vocals of this track..... RATING:6.5/10

4)Sollamma
A very soothing melody filled with Hariharan's honey-like voice.....based on the musical arrangements it seems to be a village based track probably filmed on Pasupathi and co......
Nothin much to write about this track.........a good song but dont know how much recall value it possesses....It's definitely not a chartbuster..Worth listening though.. RATING:7.8/10

5)Perinba
The most disappointing track for me in this album.......though the lyrics and tune of this track are really nice, GVP has committed a blunder by using the SAME BEATS as in Veiyil (Veiyillodu Vilaiyaadi) with Kailash Kher once again on the vocals....So both the songs sound agonizingly similar.......If GVP tried to be original with this track then i would call it a wasted effort!!
...RATING:3.5/10

OVERALL VERDICT:
  • An average album but decent effort by GVP
  • worthwile expense if you are a hardcore Rajni fan
  • RATING: 6.8/10

Wednesday, July 9, 2008

Jaane Tu Ya Jaane Na Review - Simple and Fun!



First there was the hype surrounding producer Aamir Khan, then there was Rahman's brilliant music album, and finally came rumours that some song lyrics were targetted at Salman, so finally when the movie was released, I sat down to it with a lot of expectations. And boy does JTYJN deliver. Abbas Tyrewala in his debut directional venture has created a simple blend of romance and humour that will definitely strike a chord with the youth.

The story revolves around two college goers and their fun gang of friends . A quick word of praise for Tyrewala in refraining from portraying a bunch of rich city kids as in Dil Chahta Hai. Here, it's easier to identify with the lifestyle of these kids. Jai and Adithi are best friends but fall in love with each other(no surprise!) Their gang of friends and parents are able to see this, but unfortunately for these two, they don't admit this and end up dating other people, with terrible consequences.

Imran Khan does a commendable role in his debut role as Jai Singh Rathore(alias "Rats"), a teen of rajput heritage who is sooo non-violent that he might have featured in a pacifist's wet dream. On the other side of the character-spectrum, Genelia plays the role of Adithi(alias "Meow") , a complete fight-a-holic. The lead pair have great chemistry together, and you couldn't ask more from them.

While the story may not be exceptional, the real strength of the film lies in its humour. The dialogues are witty and hilarious. The director loses no opportunity in converting a sentimental scene into a comic one.(The policeman in the ending acted as the perfect embarrassment-antidote which did the job as well as Solomon Poppaya's 'idu daan vaida' dialogue in the film 'Boys')

Then there are the scenes with misunderstanings such as when Jai and Adithi's parents discuss their daughter "wedding proposal" while Jai thinks he is talking about his job!
Bhaloo and Bhagera - the two jolly guys who haunt Mumbai's night clubs in cowboy costumes, the relationship between Jai's mother and his late father (Nasruddin Shah) who talks through a portrait are really hilarious. The patchy relationship between Aditi and her talented but introverted brother Amit(played superbly by Prateik Babbar), lends some excellent emotional moments to the film. Credits must be given to Ratna Pathak Shah(Jai's mom Savitri), for playing the role of a cool but protective. Manjari Phadnis does a good job in playing the complex role as Jai's girlfriend. Paresh Rawal as the police inspector cracks you up.

The only dissappointment in the film for me was the climax. Yes, we all like a happy ending but the scene where the hero woos the heroine seemed to be inspired from the climax of the hollywood film 'Love Actually'. Nevertheless, it was done cleverly enough so no complaints there!

As far as the audio is concerned, the director has done a great job in utilizing Rahman's talents. He has distributed some songs cleverly such as "Tu Bolein" and has also ensured that the story line has not been accomodated for the music, interweaving the film and the songs flawlessly.

Overall, this is one film that is definitely worth spending an evening on. It is really light-hearted and will surely lift your spirits. With the positive word of mouth and excellent opening, Jaane Tu is all set to become a smash-hit!

SCORE - 7/10

Tuesday, June 17, 2008

Bill Gates speech @ Harvard Commencement- June 7, 2007

June 7, 2007.....Harvard Commencement....Boston, Mass. ------------------------ Remarks by Bill Gates ---------------------------
President Bok, former President Rudenstine, incoming President Faust, members of the Harvard Corporation and the Board of Overseers, members of the faculty, parents, and especially, the graduates:
I've been waiting more than 30 years to say this: "Dad, I always told you I'd come back and get my degree."
I want to thank Harvard for this timely honor. I'll be changing my job next year... and it will be nice to finally have a college degree on my resume.
I applaud the graduates today for taking a much more direct route to your degrees. For my part, I'm just happy that the Crimson has called me "Harvard's most successful dropout." I guess that makes me valedictorian of my own special class... I did the best of everyone who failed.
But I also want to be recognized as the guy who got Steve Ballmer to drop out of business school. I'm a bad influence. That's why I was invited to speak at your graduation. If I had spoken at your orientation, fewer of you might be here today.
Harvard was just a phenomenal experience for me. Academic life was fascinating. I used to sit in on lots of classes I hadn't even signed up for. And dorm life was terrific. I lived up at Radcliffe, in Currier House. There were always lots of people in my dorm room late at night discussing things, because everyone knew I didn't worry about getting up in the morning. That's how I came to be the leader of the anti-social group. We clung to each other as a way of validating our rejection of all those social people.
Radcliffe was a great place to live. There were more women up there, and most of the guys were science-math types. That combination offered me the best odds, if you know what I mean. This is where I learned the sad lesson that improving your odds doesn't guarantee success.
One of my biggest memories of Harvard came in January 1975, when I made a call from Currier House to a company in Albuquerque that had begun making the world's first personal computers. I offered to sell them software. I worried that they would realize I was just a student in a dorm and hang up on me. Instead they said: "We're not quite ready, come see us in a month," which was a good thing, because we hadn't written the software yet. From that moment, I worked day and night on this little extra credit project that marked the end of my college education and the beginning of a remarkable journey with Microsoft.
What I remember above all about Harvard was being in the midst of so much energy and intelligence. It could be exhilarating, intimidating, sometimes even discouraging, but always challenging. It was an amazing privilege-and though I left early, I was transformed by my years at Harvard, the friendships I made, and the ideas I worked on.
But taking a serious look back... I do have one big regret. I left Harvard with no real awareness of the awful inequities in the world-the appalling disparities of health, and wealth, and opportunity that condemn millions of people to lives of despair. I learned a lot here at Harvard about new ideas in economics and politics. I got great exposure to the advances being made in the sciences. But humanity's greatest advances are not in its discoveries-but in how those discoveries are applied to reduce inequity. Whether through democracy, strong public education, quality health care, or broad economic opportunity-reducing inequity is the highest human achievement.
I left campus knowing little about the millions of young people cheated out of educational opportunities here in this country. And I knew nothing about the millions of people living in unspeakable poverty and disease in developing countries. It took me decades to find out.

You graduates came to Harvard at a different time. You know more about the world's inequities than the classes that came before. In your years here, I hope you've had a chance to think about how-in this age of accelerating technology-we can finally take on these inequities, and we can solve them. Imagine, just for the sake of discussion, that you had a few hours a week and a few dollars a month to donate to a cause-and you wanted to spend that time and money where it would have the greatest impact in saving and improving lives. Where would you spend it?
For Melinda and for me, the challenge is the same: how can we do the most good for the greatest number with the resources we have. During our discussions on this question, Melinda and I read an article about the millions of children who were dying every year in poor countries from diseases that we had long ago made harmless in this country. Measles, malaria, pneumonia, hepatitis B, yellow fever. One disease I had never even heard of, rotavirus, was killing half a million kids each year-none of them in the United States.

We were shocked. We had just assumed that if millions of children were dying and they could be saved, the world would make it a priority to discover and deliver the medicines to save them. But it did not.

For under a dollar, there were interventions that could save lives that just weren't being delivered. If you believe that every life has equal value, it's revolting to learn that some lives are seen as worth saving and others are not. We said to ourselves: "This can't be true. But if it is true, it deserves to be the priority of our giving." So we began our work in the same way anyone here would begin it. We asked:
"How could the world let these children die?"
The answer is simple, and harsh. The market did not reward saving the lives of these children, and governments did not subsidize it. So the children died because their mothers and their fathers had no power in the market and no voice in the system. But you and I have both. We can make market forces work better for the poor if we can develop a more creative capitalism-if we can stretch the reach of market forces so that more people can make a profit, or at least make a living, serving people who are suffering from the worst inequities.

We also can press governments around the world to spend taxpayer money in ways that better reflect the values of the people who pay the taxes. If we can find approaches that meet the needs of the poor in ways that generate profits for business and votes for politicians, we will have found a sustainable way to reduce inequity in the world.
This task is open-ended. It can never be finished. But a conscious effort to answer this challenge will change the world. I am optimistic that we can do this, but I talk to skeptics who claim there is no hope. They say: "Inequity has been with us since the beginning, and will be with us till the end-because people just... don't... care."
I completely disagree. I believe we have more caring than we know what to do with.
All of us here in this Yard, at one time or another, have seen human tragedies that broke our hearts, and yet we did nothing-not because we didn't care, but because we didn't know what to do. If we had known how to help, we would have acted. The barrier to change is not too little caring; it is too much complexity. To turn caring into action, we need to see a problem, see a solution, and see the impact. But complexity blocks all three steps. Even with the advent of the Internet and 24-hour news, it is still a complex enterprise to get people to truly see the problems. When an airplane crashes, officials immediately call a press conference. They promise to investigate, determine the cause, and prevent similar crashes in the future.
But if the officials were brutally honest, they would say: "Of all the people in the world who died today from preventable causes, one half of one percent of them were on this plane. We're determined to do everything possible to solve the problem that took the lives of the one half of one percent."
The bigger problem is not the plane crash, but the millions of preventable deaths. We don't read much about these deaths. The media covers what's new-and millions of people dying is nothing new. So it stays in the background, where it's easier to ignore. But even when we do see it or read about it, it's difficult to keep our eyes on the problem. It's hard to look at suffering if the situation is so complex that we don't know how to help. And so we look away.
If we can really see a problem, which is the first step, we come to the second step: cutting through the complexity to find a solution. Finding solutions is essential if we want to make the most of our caring. If we have clear and proven answers anytime an organization or individual asks "How can I help?," then we can get action-and we can make sure that none of the caring in the world is wasted. But complexity makes it hard to mark a path of action for everyone who cares-and that makes it hard for their caring to matter.
Cutting through complexity to find a solution runs through four predictable stages: determine a goal, find the highest-leverage approach, discover the ideal technology for that approach, and in the meantime, make the smartest application of the technology that you already have-whether it's something sophisticated, like a drug, or something simpler, like a bednet.
The AIDS epidemic offers an example. The broad goal, of course, is to end the disease. The highest-leverage approach is prevention. The ideal technology would be a vaccine that gives lifetime immunity with a single dose. So governments, drug companies, and foundations fund vaccine research. But their work is likely to take more than a decade, so in the meantime, we have to work with what we have in hand-and the best prevention approach we have now is getting people to avoid risky behavior.
Pursuing that goal starts the four-step cycle again. This is the pattern. The crucial thing is to never stop thinking and working-and never do what we did with malaria and tuberculosis in the 20th century-which is to surrender to complexity and quit. The final step-after seeing the problem and finding an approach-is to measure the impact of your work and share your successes and failures so that others learn from your efforts. You have to have the statistics, of course. You have to be able to show that a program is vaccinating millions more children. You have to be able to show a decline in the number of children dying from these diseases. This is essential not just to improve the program, but also to help draw more investment from business and government.
But if you want to inspire people to participate, you have to show more than numbers; you have to convey the human impact of the work-so people can feel what saving a life means to the families affected. I remember going to Davos some years back and sitting on a global health panel that was discussing ways to save millions of lives. Millions! Think of the thrill of saving just one person's life-then multiply that by millions. Yet this was the most boring panel I've ever been on-ever. So boring even I couldn't bear it.
What made that experience especially striking was that I had just come from an event where we were introducing version 13 of some piece of software, and we had people jumping and shouting with excitement. I love getting people excited about software-but why can't we generate even more excitement for saving lives? You can't get people excited unless you can help them see and feel the impact. And how you do that-is a complex question. Still, I'm optimistic. Yes, inequity has been with us forever, but the new tools we have to cut through complexity have not been with us forever. They are new-they can help us make the most of our caring-and that's why the future can be different from the past. The defining and ongoing innovations of this age-biotechnology, the computer, the Internet-give us a chance we've never had before to end extreme poverty and end death from preventable disease. Sixty years ago, George Marshall came to this commencement and announced a plan to assist the nations of post-war Europe. He said: "I think one difficulty is that the problem is one of such enormous complexity that the very mass of facts presented to the public by press and radio make it exceedingly difficult for the man in the street to reach a clear appraisement of the situation. It is virtually impossible at this distance to grasp at all the real significance of the situation." Thirty years after Marshall made his address, as my class graduated without me, technology was emerging that would make the world smaller, more open, more visible, less distant.
The emergence of low-cost personal computers gave rise to a powerful network that has transformed opportunities for learning and communicating. The magical thing about this network is not just that it collapses distance and makes everyone your neighbor. It also dramatically increases the number of brilliant minds we can have working together on the same problem-and that scales up the rate of innovation to a staggering degree. At the same time, for every person in the world who has access to this technology, five people don't. That means many creative minds are left out of this discussion-smart people with practical intelligence and relevant experience who don't have the technology to hone their talents or contribute their ideas to the world.
We need as many people as possible to have access to this technology, because these advances are triggering a revolution in what human beings can do for one another. They are making it possible not just for national governments, but for universities, corporations, smaller organizations, and even individuals to see problems, see approaches, and measure the impact of their efforts to address the hunger, poverty, and desperation George Marshall spoke of 60 years ago.

Members of the Harvard Family: Here in the Yard is one of the great collections of intellectual talent in the world. What for?
There is no question that the faculty, the alumni, the students, and the benefactors of Harvard have used their power to improve the lives of people here and around the world. But can we do more? Can Harvard dedicate its intellect to improving the lives of people who will never even hear its name?
Let me make a request of the deans and the professors-the intellectual leaders here at Harvard: As you hire new faculty, award tenure, review curriculum, and determine degree requirements, please ask yourselves: Should our best minds be dedicated to solving our biggest problems? Should Harvard encourage its faculty to take on the world's worst inequities? Should Harvard students learn about the depth of global poverty... the prevalence of world hunger... the scarcity of clean water ...the girls kept out of school... the children who die from diseases we can cure? Should the world's most privileged people learn about the lives of the world's least privileged?
These are not rhetorical questions-you will answer with your policies. My mother, who was filled with pride the day I was admitted here-never stopped pressing me to do more for others. A few days before my wedding, she hosted a bridal event, at which she read aloud a letter about marriage that she had written to Melinda.

My mother was very ill with cancer at the time, but she saw one more opportunity to deliver her message, and at the close of the letter she said: "From those to whom much is given, much is expected." When you consider what those of us here in this Yard have been given-in talent, privilege, and opportunity-there is almost no limit to what the world has a right to expect from us.
In line with the promise of this age, I want to exhort each of the graduates here to take on an issue-a complex problem, a deep inequity, and become a specialist on it. If you make it the focus of your career, that would be phenomenal. But you don't have to do that to make an impact. For a few hours every week, you can use the growing power of the Internet to get informed, find others with the same interests, see the barriers, and find ways to cut through them.

Don't let complexity stop you. Be activists. Take on the big inequities. It will be one of the great experiences of your lives.
You graduates are coming of age in an amazing time. As you leave Harvard, you have technology that members of my class never had. You have awareness of global inequity, which we did not have. And with that awareness, you likely also have an informed conscience that will torment you if you abandon these people whose lives you could change with very little effort.
You have more than we had; you must start sooner, and carry on longer.
Knowing what you know, how could you not?
And I hope you will come back here to Harvard 30 years from now and reflect on what you have done with your talent and your energy. I hope you will judge yourselves not on your professional accomplishments alone, but also on how well you have addressed the world's deepest inequities... on how well you treated people a world away who have nothing in common with you but their humanity.
Good luck.

- Bill Gates

PS:
What a fortunate batch to have listened to this speech in person
-Mahesh

Monday, June 9, 2008

Sarkar Raj-the Raj of the Bachchans

Well this movie was one of the most anticipated movies in bollywood for this year for many reasons.
  • The Cast consists of all the Bachchans (except for Jaya Bacchan whom RGV couldnt fit in with an appropriate mafia role)
  • After the agony and widespread damage caused by Ram Gopal Varrma's AAG (stomach Eruchal in Tamil' ,people wanted to see whether RGV and the Big B can resurrect themselves.
  • plus this movie was a sequel to 2005's Sarkar which was RGV's tribute to 'The Godfather'
To make sequels in Bollywood has always been a very tricky issue as the comparisons are too critical in nature with the first part.Lage Raho Munnabhai was probably the first major Hindi movie which became a major success when compared to its prequel...

If any of you guys thought that Sarkar Raj was based on another one of the Godfather series, well then u r grossly mistaken! Writers Prashant Pandey and Ram Gopal Varma have come up with a fresh,new and brilliant plot to assure the audience of 125 entertaining minutes....

I dont believe in blogging movie spoilers, so i'll be as vague as possible....cause this movie is a must see!!

The movie mainly revolves around three characters ( The Bachchan Arena) Subash Nagre (Big B), Shankar Nagre (Abishek) and Anita Rajan (Aishwarya Rai)...Subash has full faith in his son Shankar though he finds it difficult to deal with the fact that its Shankar who is the actual 'Sarkar'...Shankar wants what is best for Maharashtra and Anita Rajan steps in from London as a CEO of Sheperd group...her aim is to make India's largest power plant. Anita realises Maharashtra as a potential site.Even though Subhas is against the proposition, Shankar strongly believes it is for the state's betterment and he decides to support Anita and her project no matter what stands in their way...

When so many crores of rupees are at stake, the plant project becomes a battleground for dirty politics, deceit and corruption.I do not wish to disclose any more facts of the movie !!u should see it.....The villains are convincing and the supporting cast has small roles with clearly defined characters....The 3 Bachchans have given subtle yet strong performances and it is difficult to see who is the real Sarkar amongst them....

The Dialogues of the movie are powerful and crisp and act as the real Forte of the movie...The background score is impressive though the 'Govinda Govinda' chantings do tend to get annoyingly over used!!

RGV gets full marks for his direction...the editing is perfect as well.....even though there are no song and dance sequences the movie doesn't bore you one bit...

The movie is self explanatory and one need not have seen Sarkar to follow Sarkar Raj...thats another plus point...

The action scenes are spectacular and more importantly 'Very Realistic'!!! RGV clearly demonstrates that the Bullet penetrates both-the Hero and the Villain.

The first half is kinda slow but RGV constructs a proper platform to carry the movie further with ease...the second half is totally gripping and moves at a fairly quick pace...No matter what happens don't miss the 2nd half...especially the part where the suspense of the entire plot will be revealed by Subhas Nagre....thats an amazing scene that will take all by surprise!!

Overall, a brilliant movie which i totally enjoyed !!!

VERDICT:
Sarkar Raj - will extinguish the agony caused by RGV's AAG!!! A must see!!!
RATING: 9.8/10



Thursday, May 22, 2008

Jaane Tu Ya Jaane Na....a review of the genius's work





















Its quite amazing how ARR manages to release two albums simultaneously.....both superhits but completely different.....If Ada was a musical journey, then JTYJN is a shower of youthful music.....The songs will be a craze amongst the youth, just like rang de Basanti!!!!
Here's wat i think about the songs....

1.Kabhi Kabhi Aditi Zindagi:
This is a beautiful song....even though the first line's tune is similar to Ada da ada da from bommarillu....(weird coincidence that Genelia's there in both) .....but then this track is nothin more than an indirect inspiration cause the tune , musical arrangements, guitar usage and flute give an unique feel...Rashid Ali has sung this song brilliantly.....The ending is beautiful!!!!!
One of Rahman's best tracks in this album!!! but he could have changed the first line's tune to make it perfect.....(but then wats the fuss...its hardly anything..every other music director like Harris,himesh,yuvan etc....are having a gala time doing serious xeroxing!!!!maybe its just that we are used to some amount of perfection from Rahman!!But nonetheless gr8 song...)
RATING: 9.0/10

2.Pappu cant dance:
An unique song which only Rahman could have given......really catchy tune........superb beats.....amazing background music......an army of good singers involved in this song.....the 'thirikidara thirikidara' sounds cool!!!! This sing will become a major hit amongst youth ...no doubt in that!!!!cute lyrics!!!There is a minor resemblance in percussion arrangements to a song Kama Kama from Ennakku 20 unnakku 18....Blaaze adds some extra spice to this track...the remixed version is even better and will be rocking discotheques for a long time.... RATING: 9.2/10

3.Jaane tu meri Kya hai:
There are two versions of this track...one for Jai, sung by Sukhwinder Singh and the other one for Aditi....sung by a newcomer Runa....she has a beautiful voice....both versions have a great melody with a very different time and beat signature....The Aditi version is my favourite ....probably one of best tracks in this album!!!...This song will seriously grow on you...
RATING:9.2/10

4.Naazrein Milaana, naazrein churaana:
A beautiful song with a rocking start.....the electric guitar interlude is out of this world.....the use of what i believe is a melodion adds some serious quality to this track......the harmonies for this song are brilliant!!!!.....Potential superhit in this album...RATING :8.9/10

5.Tu Bole, Main Boloon:
Let me tell you one thing .....there is a great chance that many people wont agree when i say that this track is the best track in this album, but than only genuine music lovers can understand the brilliance of A.R.Rahman.....the maestro has given us a 100% pure jazz track that would make American Gangsters of the 1930's in Chicago jump with joy!!!! No other director can come close making such a genuine Jazz track.......It is very difficult to sing jazz numbers because of their complicated beat patterns.....But Rahman sings the song with complete feel and ease....I dont know whether this track will be a winner for the album, But it is an undisputed champion in the musical arena!!!!.......RATING: 9.5/10

6.Kahin to Hogi ho:
I'm surprised by the quality of Rashid Ali's voice and Hindi Diction....no doubt that he is going to be a very sought after singer,thanks to this album!!!
This track has got a wonderful melody.....potential Lover's mantra for a long time....Vasundhra Das has sung the song nicely unlike her cliche style!!!
the scale shift at the end with added harmonies boosts the track to a great extent....
RATING:8.0/10

OVERALL VERDICT:
ARR has come out with an album that is going to keep the Indian youth on its feet for sometime definitely...Critics kindly take a break....ARR fans enjoy the heavy downpour of ARR's magical rain of music..(great start to imran khan's career as his debut movie's music rocks.....If the movie turns out to be great then he'll be a force to reckon!!!)

ADA....a way of life....THE WAY FOR MUSIC!!!

All the Arr critics, please brace yourselves up....cause ur gonna eat some special humble pie.......

The 'God of music' / 'Mozart of Asia' gives us Ada......
A lot has been said that ARR is no longer concentrating on melodies....too much experimentation and all that crap!!!!ARR has been workin on Ada from 2001....and this results in a magical album....each track having a different mood, feel, style and melody!!!!!
Really nice to hear some original music!!! Special appreciation for brilliant usage of different types of guitar throughout the album!!!

I heard all the songs, and this is my view on them!!!

1.Ishq Ada:
There are two versions....a male version sung differently by Rahman's guitarist Rashid Ali!!! The female version is sung by a newcomer Parul Mishra.....she's got some potential..[:D].....This song is basically Waltz track , but the guitar is used dominantly to give the 3/4 time signature.....thats somethin new, coz usually Piano is the preferred instrument !!The guitar solos have a vintage effect and the accordion used in this song is pure genius played by none other than our ARR.........
A short but very cute track.....RATING: 8.0/10

2.Hawa Sun Hawa:
One of the best melodies rahman's composed in recent times.....he has filled up the bits with some of his piano magic.....Naveen steals the show with some mesmerising flute bits......Sonu Nigam is as usual at his very best for ARR's melodies......I'm not a big fan of Alka Yagnik's monotony, but she has sung this track well...The chord transitions in the interlude stanza's are superb.......The bass track is mild but very effective......An excellent track....one of the best in this album.....RATING: 8.2/10

3.GumSum:
This song might be Rahman's first Complete Commercial Hindi Track, pretty sure, it will become a major hit in the north!!! The unique start and end to this song with some type of guitar is a treat for the hears.....
The lead guitar and bass guitar have been used to the maximum level to give us a peppy dance no.....but the melody has never been compromised...Sonu Nigam's voice is full of power!!!If there's any negative thing, it might be that the beat is not original, but then this type of track needs that kinda beat.....but rahman's treatment disguises the cliche punjabi feel to a new wonderful level!!.....some church organ-like instrument has been used at the end!![:D]
Gumsum....a commercial hit.....RATING: 8.3/10

4.Gulfisa:
Another different song.....the percussion arrangements are like an Arabian song, but the tune gives an unique feel......the time signature is different and catchy....Sonu nigam delivers a good performance, but it is Sunidhi Chauhan who steals the show with a mind blowing performance....she switches between octaves with utmost ease.....once again the melody is pleasant....this track will stay on ur minds for sometime....RATING: 8.4/10

5.Meherbaan:
WOW!!!!!!!!This is the most amazing track of this album and no guesses for who sang this track.....It's none other than our Rahman.......This song is completely in an acoustic feel.....all u can hear is the piano, guitar strumming, gr8 bass sequence, simple ballad style drumming, and BRILLIANT VOCALS.......the voice preset for ARR is similar to the processing done for Pray for me brother....it suits the song well!!! Rahman's humming is amazing in between like 'yeh jo des hai tera'....Rahman's hindi diction is very good....When the song goes higher ,the vocals and chords are absolutely stunning!!!!.....i'll cherish this track forever....The instrumental version is also another track in the album.....Sanjeev Thomas stands out with a scintillating guitar performance.....RATING: 10/10 [:D]

6.Tu Mera Hai:
This track gives us Chitra at her best.....the ease at which she is able to go to insanely high pitches is quite unbelievable......The tune is quite captivating.....the strings arrangement is in typical Rahman's fashion!!!!.Sukhwinder Singh has done a good job...The main chorus has got great chord structure with rich use of strings.....The interludes are rich....overall the melody has got richness..the negative aspect: well i would have liked more variations in the main beat......but nonetheless a great track........RATING:7.9/10

7.Hai dard:
This track seems to be heavily based on film's situation......Rahman's managed to create sufficient melancholy.......however,till the first interlude, the track is ordinary with an 'Eh ajnabee' feel....when the guitar and flute starts , the song begins to sound brilliant....the second stanza has a brilliant tune....Udit has sung the higher notes with considerable feeling.....I'm sure the track will be hundred times better with the video.......RATING:8.0/10

8.Milo Yahan Wahan:
The choir and strings give an intoxicating start to this track......something only rahman can do.......in terms of melody, this is one of the best ones in this album......However alka Yagnik can get irritating when the higher notes are being sung......She has do something about her monotonous singing style......Jayachandran has sung well.....the first interlude is out of the world.....once again, Rahman makes use of strings and pads thus the chords give a soothing yet amazing feel to the song.....Beautiful track......RATING: 8.8/10

OVERALL VERDICT:
Rahman's come out with a stunning album, filled with variety and originality.....
Special mention to all the lyricists......
This album is a must for all Rahman fans....even his critics will find their 'Ada reoriented'.........Hail ARR!![:D]

Sunday, May 18, 2008

Arai enn 305'il Kadavul....a review


I guess it is pretty late to write this review for 305 (gonna use 305 instead of the actual movie name) but never have i encountered a more worthy movie in recent times.....
'Brilliant' would be the best and shortest review, but a lot can be said.......

305, from its inception, has been a very awaited movie........for many reasons....firstly, Chimbudevan and Shankar re-united after the stupendous success of Imsai Arasan......secondly,Santhanam ,the rising youth comedian and Ganja Karruppu were selected as the lead characters.....finally,the veteran Prakash Raj was chosen to play the role of Kadavul!!!The sheer curiosity felt by people to see 'Chellam Muthupandey' in the role of the Almighty was considered to be a factor good enough to ensure this package's success......

But a big star cast and initial hype cannot ensure the box office success of any movie...i think Bheema is a good example for the side effects[:)]!!!

When the movie hit the screens,the first ten days enveloped 305 in a sea of mixed reviews......
B and C centres were probably expecting another slapstick laugh riot spoof........keeping that as an expectation, this movie failed heavily, and everyone thought it wont be a success......But then the creative genius within Chimbudevan stuck a chord amongst the hearts of the A centre audience and many people who didnt like the movie the first time decided to watch it again
and they found the movie to be quite enchanting.........

The story goes on like this.....Santhanam and Ganja are two miserable unemployed misfits who blame God for all their mishaps......God decides to come down in person and help them understand what is true happiness and who is responsible for their situation....What follows is an interesting tale of enchantment,divinity,deception,love,kindness and many other emotions.....

Santhanam has shed a few kilos and looks pretty decent (better than simbhu)...He has given a convincing performance......whether it is a serious scene or a comedy scene......ganja is hilarious as his sidekick..........Prakash Raj steals the show with his brilliant performance......The manner in which He displays God's love,power and divinity with such ease and subtlety is totally mind blowing.........

M.S.Bhaskar, Delhi Ganesh and Rajesh have played some brilliant cameos in the movie! The dialouges ,the art direction and the graphics are absolutely stunning......Shankar has ensured that 305 gets the best technical expertise available in the market....

The movie is not a laughter riot, but it gives a feast for thought........the concept of God is understood even by atheists.....The scene involving Prakash Raj and Rajesh where they discuss about the existence of God is truly memorable......

Vidyasagar's music is pretty good.......some of the songs are catchy and pleasant to hear!!!the 'Naangal thaan Kadavul' song's lyrics is pretty interesting......

The movie gets a very interesting turn at the interval!!!The ending is fabulous!!!

A non-commercial pure cinematic effort by Chimbudevan that has resulted in a wonderful movie.......For those who just want masala flicks,watch movies like KURUVI!!! But if your looking for meaningful cinema then 305 is the room u'll wanna be in cause Prakash Raj has given a whole new dimension to our version of the Almighty!!1
Three cheers!!

RATING: 9.3/10

Thursday, May 1, 2008

Himesh Resham(e)miya!!!


Friends I'm Ck.... I will also be sharing ma experiences as Rahmaniac does!!

Well what should i say about Himesh!!! The first impression i had about Himesh was that he is a king of remixes!!! I still have the same feeling!!! Especially after listening to the songs of Dasavatharam! I had a gutsy feeling that there was noone to beat Harris in music editing!! Thats right copying various songs and pasting it in the right proportion! Harris beware!! Here comes a bollywood nasal-voiced music director, now better known as music editor!!

As ma friend A.R.Rahmaniac has already pointed out the lifts in dasavatharam, its my turn to point out one more of his handy works..
The first time i heard Mukundha Mukundha, i was moved and thought the tune was decent enough to move a few music lovers!! After a few hearings i realised man this guy is an expert at giving re-"mixes"! Its more so a mix of Chanakya chanakya and Konjum Mainakale!! A great mixing equal to the ranks of our great Harris!!

Shame on u Himesh! U better stay in bollywood! Atleast u were trying to be original there!

Kallai mattum is also a xerox.....seriously himesh!!


I think kamal will have to look as pissed as he is in this photograph.......Himesh had copied a rammstein song for background arrangements but atleast i thought the tune was genuine......no way....check out this link
http://www.youtube.com/watch?v=NCPZET3n3vQ
The tune is lifted as well...................
ada paavi

ada paavi

[:D]

is it OH OH SANAM or HEY HEY RAM????


Seriously guys, my friend just pointed out a major similarity between the song OH OH sanam from dasavatharam and the title track of Hey Ram........The structure is identical as the OLSEN TWINS!!!!!!!!!! Himesh has only changes the beats and the starting note,with a corresponding chord in a different scale.......

I knew that the song was pathetic but i atleast believed it was a genuine effort, but it goes down the drain. Kamal is supposed to have a sound music sense, wonder why he didnt sense such critical issues with his magum opus's music??is he getting tone deaf??

May the almighty sprinkle the holy water of creativity on Himesh's Foreign brand Wig!!![:D]

Wednesday, April 30, 2008

தாம் தூம் (dhaam dhoom) Harris Jayaraj?Ada paavi!!!


Before i write this review, let me make one thing clear to everyone who might be reading this review......In my opinion Harris Jayaraj has stopped giving genuine good compositions after Laysa Laysa, which was one of his premier movies, so u can imagine how much mediocrity has prevailed since then, not to mention the frequent (peeeeeeeeeeep peep peep CLICK!) i.e XEROX technique....I've tried my best to listen to all the songs of Dhaam Dhoom with an unprejudiced mindset to give a fair assessment (man i had to get drunk for that[:D])....lets begin with.....

1.SAKIYAE (Bombay Jayashree, Krishh):

Frankly i'm bored with the cliche usage of BJ by HJ in his music, but she has sung this song well...but the start of this song and the main Sakiyae line is very similar to Pani Thuli from Kanda Naa mudhal, and certain usage of instruments seem to sound very familiar......the chord transitions sound effect are sounding like Illayaraja's a keys at times.....the pitch transition at the end of the song is pretty ok.....Krishh bores us with his same feeble voice and his chorus can get monotonous......Perhaps this track is one of the best in this album......RATING:6.8/10

2.AZHIYILAE (Haricharan):

This song starts off well with Haricharan singin it beautifully, but the tune is so predictable and even tone deaf people can figure certain parts out.....This song is like a modern devotional Bhajan at times.....Great Potential was there in this track, but for some reason HJ decides to keep this song short and i guess he didnt work too much on this track....wasted oppurtunity!!!....
RATING:6.9/10

3.ANBE ENANBE ( Harish Raghavander):

This is song is totally obnoxious for the sheer reason that the first basic tune in this song is the same as Loosu Penne from Vallavan!!!! i couldnt believe it , but its true.....This is song however is boosted by Harish Raghavander who has sung a decent song after a long time.....I'm sick of the same choir girls....HJ music sounds like goin to a same church every sunday!!!However i like the usage of violin in this song.....Latter half of the tune is better but still not impressive on the whole..RATING:5.3/10

4.UYAALALO (Kailash Kher, Sujatha):

Song starts like Varaagha Nadhi from sangamam......then we hear an avg folk tune with some gibberish in between.....beats like Adangakka (anniyan)......The punjabi 'Oho's sound like they have been pasted from Rang De Basanti.....lol! Basically as i said its a very average track.....Kailash Kher has sung it with a lot of energy...his tamil pronunciations are gettin better and better....Listen to this track once, thats all!!! RATING: 3.5/10

5.THIKKU THIKKU (Sayanora Philip, Benny):

When you hear this song, u think about Maaricham from Sillendru oru Kadhal till the humming stops, then a nerrupae sikku mukki style start beginning....the thikku thikku line's tune is similar to Hello miss imsaiye(unnale Unnale)'s second stanza........ but the ' thom thom' line gets really irritating....first G.V prakash copies Akon 's Smack that in polladhavan, and now its HJ, who tries to fool us by changing the beat alone......The second fiddle interlude sounds like HJ's song Para para pattam poochi from Majnu......The Positives of this song are however the vocals....Benny seems to be maturing as a singer with every song...Sayanora Philip has got one of the most sexiest voices i've heard....She adds the extra punch to this song......This is a decent Dance track though with the Grind'like beats....RATING:5/10 (2 bonus points for vocals)[:D]

6.PUDHU PUDHU (Suchitra,Benny,Guna):

What happens when HJ tries to stop xeroxing and tries to make an own genuine composition?
......Simple answer.......this can get you Freakin KILLED!!!!!!!!!!!! This is one of the worst songs i've ever heard and unfortunately HJ seems to not taken this from anywhere but his mental workhouse!!!!Seriously HJ, either u have no music in you or u were drunk along with Suchitra during the making of this song......yes folks, thats how Suchi sounds......like a girl mutterin rubbish after her first Hangover due to 6 shots of tequilla!!!!!!!!!!! The vocals in this song can seriously cause a rash!!!!itch! itch!........i understand that when u mix different styles , u get Fusion, but all HJ achieves with this song is Confusion!!!!(especially the sudden yogi b'like bit in the second stanza).
Even HJ's hardcore fans would ask him 'HJ WHAT WERE U TRYING????'
If anyone has the patience to listen to this song fully for the first time without causing a road rage scenario, they are great!!!My rating system cant give a zero so..........RATING:0.1/10

OVERALL VERDICT:
  • This album seriously disappoints most people.....2 or 3 potential tracks are there but totally wasted ......Probably Sakiyae and Thikku thikku will enter the chartbuster list for a while.....

  • Dhaam Dhoom's music will appeal to only those people who are HJ worshippers or have those who dont have much knowledge in music.

  • Thank God that Jeeva didnt have listen to this album especially that 'Pudhu Pudhu' song.........

  • On the whole,my rating for this album will be 5/10.

Sunday, April 27, 2008

தசாவதாரம் (dasavatharam) songs??MY GOD!!!

There is no doubt that Kamalhasan is one of the most brilliant actors the world of cinema has ever seen, but it seems to be very funny that he opted for Himesh Reshammiya as his Magnum opus Dasavatharam's Music Director. There is no dearth of talent in the south, especially when u consider music!!! I 've just heard the songs and would like to give u a review...

1)ULAGA NAYAGANE...
This song doesn't survive the expectations it had after the initial Hype...though it might be the most catchy song in this album.....Very monotonous beats, similar to the song 'macarena' from Kushi (tamil)...unnecessary use of fiddle at the beginning....the vocals are peppy but gets boisterous at times....Lyrics seems to be catchy as it praises Kamal... RATING (3/5)

2)KALLAI MATTUM KANDAAL...
Very serious track which creates a decent effect while listening, with the haunting voice of Hariharan...however the background music and beats are pretty similar to a Ramstein song (a German heavy metal band)...Check out the link.. http://www.youtube.com/watch?v=MpwhRjLy0H
May be the song will look better with the video, but it is definitely not one of the tracks one would keep playing on his IPOD....RATING (2.5/5)

3)OH OH SANAM....
I cant say which is more agonizing, kamal's semi processed voice or the pathetic backgrounnd music for this song....Himesh seems to have gotten really confused between bollwood and kollywood......thus giving us this transsexual song....Very cliche setup and musical arrangements.Heard this beat too often...RATING (1/5)

4)OH OH SANAM (remix)...
Cant believe i have to write another review for this song,but then the entertainment factor increases by a mile coz 'the nasal king' Himesh Reshammiya lends his voice to this track....i daresay his voice is better suited for this song than kamal.Special mention needed for Himesh as his tamil pronunciations are pretty decent...way better than Udit narayan..he sounds very confident of himself...however unless u are a hardcore Himesh fan,this song is nothin more than a post postmortem on a decaying carcass....A bonus rating of 0.5 for Himesh's Gallant effort....RATING(1.5/5)

5)MUKHUNDA MUKHUNDA..
Typical Himesh slow track,with very similar musical and chorus arrangements..Sadhana Sargam has sung it decently...but this track has no punch...It doesnt hurt your hears but doubt whether it'll stay on your mind!!!...RATING(2.5/5)

6)KAA KAARUPPUNAKKUM...
I might sound repetitive but a very cliche Himesh start to the song, then u find some similarities to the background music (Baazi laga from GURU)...Then a strikingly similar tune appears in the songs as the main punchline twice or thrice (similar to the song Ponna Pochu by Remo fernandes for the movie Khamoshi)....The lyrics seems to be incoherent at times...
The lyricist seems to have used a lot of English and has tried to be over creative at times(mexican and lexicon line , and the sept 11 twin towers lines rocks though)...
When you hear this song,all you can wish is that the video better be smokin hot with Mallika Sherawat or Asin.....that's the only medicine for the listeners.....RATING(2/5)

OVERALL VERDICT
  1. HOPE THAT THE MOVIE VISUALS WILL SAVE SONGS
  2. SAVE YOUR MONEY.THIS IS ONE ALBUM THAT MIGHT EVEN ANNOY HIMESH'S HARDCORE FANS
  3. GIFT THIS AUDIO CD TO YOUR NEMESIS
HOPE K.S RAVIKUMAR AND KAMAL HAVE A GREAT MOVIE IN STORE FOR US.....THE MUSIC IS A TOTAL LETDOWN!!!

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